Need for Elevated standards of Indian representation by accomplished artistes, not just anyone - says Director Chandrakant Singh

Director Chandrakant Singh Marks Seventh Consecutive Appearance at Cannes, Calls for Elevated Standards in Indian Representation

Renowned Indian filmmaker Chandrakant Singh has made his seventh consecutive appearance at the Cannes Film Festival, further strengthening his reputation as a consistent voice for Indian cinema on the global stage. Known for films such as Six X , Parchaiyaan, Being Alive, Dustbin and Life, Singh has been a key figure in bringing meaningful Indian stories to international audiences.

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Seeta Aur Geeta - 1972

This year, Cannes has seen an influx of Indian influencers and models gracing the red carpet. However, Singh expressed concern over this trend, stating, “Cannes is an international platform focused on cinema, not fashion. We need more elegant and accomplished actresses representing Indian cinema, not just anyone.”

He further clarified, “I am not here only for the red carpet. My focus is on cinema, collaboration, and creating opportunities for Indian filmmakers.”

In addition to his film contributions, Singh has played a pivotal role in shaping India’s institutional presence at Cannes. Last year, he was instrumental in bringing the Indian Motion Picture Producers’ Association (IMPPA) to the festival. This year, his efforts were marked by a historic achievement—Shri Abhay Sinha was appointed Vice President of the FIAPF (International Federation of Film Producers Associations), a landmark moment for India in the global cinema governance space.

Singh emphasized the need for a unified and credible voice in international award submissions, stating, “It is extremely important to decide which association holds the authority to select and send Indian films to the Oscars. We need transparency and proper representation to ensure the best of Indian cinema reaches the global stage.”

With his continued advocacy and cinematic contributions, Chandrakant Singh is not only a filmmaker but a powerful voice for India’s place in world cinema.

Dr Yogesh Lakhani of BRIGHT Advertising at Cannes 2025

The Bright Star Dr. Yogesh Lakhani on the Red Carpet of the 78th Cannes International Film Festival; Illuminates Among Global Icons

At the prestigious 78th Cannes International Film Festival—where legends from Hollywood, Bollywood, and global cinema walk in celebration of artistic excellence—one presence stood out with luminous distinction: Dr. Yogesh Lakhani, the visionary founder and chairman of Bright Outdoor Media Ltd.

Draped in a classic tuxedo, Dr. Lakhani exuded a rare blend of sophistication and confidence, effortlessly commanding attention amidst the world’s most celebrated stars. But beyond his impeccable style, it was his stature as a transformative force in media and entertainment that truly made him a standout on the international stage.

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Jai Santoshi Maa (1975) had created BOX OFFICE HISTORY

Recognized for his remarkable impact on both Indian and international cinema, Dr. Lakhani was invited by the National Film Development Corporation (NFDC) and the Federation of Indian Chambers of Commerce and Industry (FICCI). His presence at Cannes symbolized more than personal success—it underscored India’s expanding footprint in the global creative economy.

As camera flashes lit up the Croisette and the world watched on, Dr. Lakhani embodied the spirit of innovation, ambition, and brilliance. In a constellation of cinematic greats, the “Bright” man lived up to his name—shining as a beacon of inspiration and influence.

Producer Chanda Patel Unveils the universal theme of “Tera Mera Nata” at Cannes Film Festival 2025

Indian film producer Chanda Patel created a proud moment for Indian cinema by unveiling the official poster of her upcoming film Tera Mera Nata at the prestigious 78th Cannes International Film Festival 2025. The film stars Suraj Kumar and  Ambika in lead roles and is already generating buzz for its heartfelt storyline and promising performances.

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Aashiqui (1990) Rahul Roy & Annu Agarwal

Held from May 13 to May 24, 2025, the Cannes Film Festival continues to serve as the world’s premier platform for showcasing cinematic excellence. Chanda Patel’s presence on the iconic red carpet marks yet another significant step in global recognition of Indian content. The unveiling was attended by international film personalities and delegates, adding glamour and international attention to the event. 

“Tera Mera Nata” is said to be a soul-stirring romantic drama that explores themes of love, destiny, and emotional connections set against a visually rich backdrop. The poster, which features Suraj Kumar and Bhavika in a serene natural setting, hints at a touching narrative and picturesque cinematography.

Speaking on the occasion, Chanda Patel expressed her excitement: “Presenting our film poster at Cannes is a dream come true. We’ve poured our hearts into Tera Mera Nata, and sharing its first glimpse on a global stage is a proud moment for our entire team.”

With this international launch, Tera Mera Nata is now one of the most anticipated Indian films slated for release soon. The film is expected to resonate with global audiences thanks to its universal theme and emotional depth.

Southern Sitara to produce Indo-Australian feature films - Cannes 2025 update

A new Australian finance and production entity to fund development and production of a slate of features between Australia and India was announced at Cannes today

By Jyothi Venkatesh

A new Australian finance and production entity, Southern Sitara, was announced at Cannes today to fund and produce a slate of Australian-Indian feature films.

Founded by investment and strategy duo Roshni Pandey and Jagdish Sidhu—who manage a portfolio across Southeast Asia, London, and Australia—Southern Sitara will co-produce with award-winning production company TEMPLE, based at Disney Studios Australia in Sydney.

Conceived by filmmaker Anupam Sharma (who previously triggered the Australia India Film Fund), Southern Sitara will provide development funding, production investment, gap financing, and cash flow loans for eligible projects. Targeting films with budgets between AUD 5–11 million, it uses a hybrid capital model combining proprietary funds with co-raised capital, offering structured financing and short to mid-term working capital solutions.

Encouraged by the India-Australia co-production treaty and local incentives, the initiative is supported by prominent Indian diaspora figures in Australia. These include Drs Pradnya and Tej Dugal (Maasa, Farewell Amor) via Jhumka Films; London based international media investor Jacqui Miller-Charlton (MBE); Sydney-based investor Dr Chandru Tolani; and angel investor Shallu Kundra—all with prior investment in the Australia-India film space.

Southern Sitara has secured first-look distribution deals with ICON Film for English-language releases and Forum Films for Indian-language titles.

Legal counsel is Janine Pearce of JP Media Law. Communications will be led by Victoria Buchan of The Lantern Group, with Hema Upadhya handling PR in India.

The group has also onboarded a strong lineup of Australian producers and creatives for executive and key creative roles, including Lisa Duff (Last Cab to Darwin), Jannine Barnes (Downriver), Cathy Rodda (Bromley – Light After Dark), Victoria McIntyre Wharfe (The Flood), Ben Ulm (Shark Tank Australia), and First Nations producer Jodie Bell (Doug the Human).

Sidhu will oversee finance and compliance, Pandey will lead strategy and investor relations, and Sharma will serve as the creative face of Southern Sitara.

Speaking from Cannes, Sharma said: “Australia provides unprecedented support to screen professionals. Southern Sitara builds on this to enable authentic cultural storytelling.”

From the Gold Coast, Pandey added: “We’ve been piloting business models to de-risk film investment, and Australia’s treaties and incentives have helped us transform the narrative.”

Sidhu from Singapore said: “Australia’s production incentives and treaties offer a uniquely de-risked path to global film investment, aligning with our focus on compliance and strong ROI.”

The first projects include Anupam Kher’s directorial thriller, shot extensively in Australia, and Shadows, a horror film blending First Nations and Indian mythologies.

Also on the slate is The Indian Cowboy – a story inspired by India’s only country music singer Bobby Cash, who was discovered in Australia.
Southern Sitara will also raise investment funds for a slate including Richard Jameson’s Bidjara Kumari, which has had development investment from Screen Australia and Screen Queensland; FRAMED, which is being developed with assistance from Screen Australia, Screen NSW, and SBS, and Dr Sanjaya Senanayake’s Chilli Chicks and Heart Attacks, written by Victoria McIntyre and developed with assistance from Screen Canberra.

Alia Bhatt flaunts radiant Indian cultural look during her Festival de Cannes Debut

After a well-received debut, Alia Bhatt, Global Brand Ambassador for L’Oréal Paris, graced the red carpet once again at the 78th Festival de Cannes, unveiling yet another stunning look for the closing ceremony.

 

Alia wore a custom Gucci saree with all-over crystal GG Monogram embroidery. The custom Gucci designs draw inspiration from India’s rich heritage and craftsmanship reflecting the actress’ desire to celebrate her cultural roots.

Her radiant makeup look she opted for L’Oréal Paris, beginning with the Infallible 24H Tinted Serum in shade 3-4 Light Medium for a hydrating, soft base. She amplified her eyes with the Voluminous Panorama Waterproof Mascara, delivering dramatic volume, paired with the Infallible Grip Up To 36H Gel Automatic Eye Liner in 001 Intense Black.

To finish, Alia turned to her favourite Infallible Matte Resistance Liquid Lipstick in the shade Worth It 601—a shade she fondly calls ‘Alia shade’. The look was locked in with the Infallible 3 Second Setting Spray, offering a luminous, long-lasting glow.

Adding to the glamour, her hair looked vibrant and glossy thanks to L’Oréal Paris Casting Crème Gloss Hair Color, perfectly complementing her ensemble.

 

As L’Oréal Paris celebrates its 28th consecutive year at the Festival de Cannes, Alia’s appearance reflects the brand’s empowering theme for the year “Lights, Beauty, Action” — a tribute to cinema, self-worth, and the universal belief that everyone deserves to feel empowered and beautiful.